A PARTICULARLY NASTY CASE – Adam Kay


When his toxic medical director dies of a heart attack, fellow doctor Eitan Rose smells foul play. Nobody else does, though, including some quite crucial players like the police and the medical examiner. So Eitan vows to uncover the truth himself.

But Eitan’s own past and reputation are far from spotless, despite his budding relationship with Cole, a handsome hospital porter, and reluctant camaraderie with his office mate, Margaret-with-the-cats. As his colleagues become increasingly concerned about his mental health, Eitan’s investigation spirals out of control. Could a killer really be stalking the wards? Or is Eitan making a catastrophic mistake?
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BLACK TUNNEL WHITE MAGIC – Rick Jackson and Matthew McGough


In June 1990, Ronald Baker, a straight-A UCLA student, was found repeatedly stabbed to death in a tunnel near Spahn Ranch, where Charles Manson and his followers once lived. Shortly thereafter, Detective Rick Jackson and his partner, Frank Garcia, were assigned the case. Yet the facts made no sense. Who would have a motive to kill Ron Baker in such a grisly manner? Was the proximity to the Manson ranch related to the murder? And what about the pentagram pendant Ron wore around his neck?

Jackson and Garcia soon focused their investigation on Baker’s two male roommates, one Black, and one white. What emerges is at once a story of confounding betrayal and cold-hearted intentions, as well as a larger portrait of an embattled Los Angeles, a city in the grip of the Satanic Panic and grappling with questions of racial injustice and police brutality in the wake of Rodney King.

In straightforward, matter-of-fact prose, Rick Jackson, the now-retired police detective who helped inspire Michael Connelly’s beloved Harry Bosch, along with co-writer, Matthew McGough, take us through the events as he and his partner experienced them, piecing together the truth with each emerging clue. Black Tunnel White Magic is the true story of a murder in cold blood, deception and betrayal, and a city at the brink, set forth by the only man who could tell it.
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A MAN NAMED DOLL – Jonathan Ames


Happy Doll is a charming, if occasionally inexpert, private detective living just one sheer cliff drop beneath the Hollywood sign with his beloved half-Chihuahua half-Terrier, George. A veteran of both the Navy and LAPD, Doll supplements his meager income as a P.I. by working through the night at a local Thai spa that offers its clients a number of special services. Armed with his sixteen-inch steel telescopic baton, biting dry humor, and just a bit of a hero complex, the ex-cop sets out to protect the women who work there from clients who have trouble understanding the word “no.”
 
Doll gets by just fine following his two basic rules: bark loudly and act first. But when things get out-of-hand with one particularly violent patron, even he finds himself wildly out of his depth, and then things take an even more dangerous twist when an old friend from his days as a cop shows up at his door with a bullet in his gut.
 
A Man Named Doll is more than just a fascinating introduction to one truly singular character, it is a highly addictive and completely unpredictable joyride through the sensuous and violent streets of LA.
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THE DEVIL TAKES YOU HOME – Gabino Iglesias

Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either a cool $200,000 or a bullet in the skull. But the path to reward or ruin is never as straight as it seems. As the three complicated men travel through the endless landscape of Texas, across the border and back, their hidden motivations are laid bare alongside nightmarish encounters that defy explanation. One thing is certain: even if Mario makes it out alive, he won’t return the same.
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